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The book itself spouts out places that the study of the negro music concentrated mainly on the music itself and not on the lyrics one. The authors above wish to change that. The tests cover kinds as various as the blue ones, the evangile, and the dry and hard blow, and reinforce the concept as these models are connected by a fundamental subtext: that the language of the afro-American culture is separated from that of the dominant culture which controlled and oppressed the African Americans for hundreds of years. The theories of the development and the significances of vernacular afro-American were rather widespread in recent decades, perhaps including the seminal text on the subject, doors of Louis of Henry, meaning Monkey of Jr. (1987).